![](https://i653.photobucket.com/albums/uu256/Echo_Pirate/brokencyde.jpg)
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Intro: This sounds like a scene taken from Jurassic Park, but with stupid synth stabs thrown in there. It’s short, which is nice.“Burnin’ (f. Tre Nyce)”: The first lyric of this is, “I like to get drunk.” I’m less mad at this record than I thought I was going to be. I could totally see a 14-year-old being super into this. This is less terrible, and more just sounds like Far East Movement or LMFAO than anything truly offensive and terrible.“Phenomenon (f. Paul Wall)”: Paul Wall is on this song? What the fuck? Tre Nyce (who I have never heard of) made a lot more sense, but Paul Wall has, like, an actual career and stuff. Paul Wall, you are better than this. Or at least I thought so.“Whoa!”: Stupid, stupid, stupid four-on-the-floor electro that even the cokiest idiot in LA would loathe. All of these songs are about being fucked up in the club and talking to girls who then laugh at them (I inferred that last part).“Magnum (f. Mickey Avalon)”: This song is important because it is the first one in which they actually scream. That makes it more annoying aka more memorable. This song contains a lot of allusions to the film Zoolander. My roommates and I are now drinking, and it is this song’s fault.“Never Back Down”: This song contains one of those horrifyingly cavernous dubstep drops, lots of screaming, and is probably the most overtly rappy song on this album so far. It has a weird inverse charm to it that would cause me to want to listen to it twice if I were on ketamine.
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